HD-DAC1
Description
High quality Headphone amplifier with DAC Mode
2x optical, coaxial and USB type B digital inputs capable of 192kHz/24bit
Native DSD2.8 and 5.6 support
Asynchronous mode
High quality D/A converter CS4398
Jitter remover
Dual Clock
Noise isolation for all digital inputs (USB-A, Optical, Coaxial, USB-B)
HDAM & HDAM-SA2
Gain control to support wide range of headphones
Fix and variable RCA output
iDevicecapable front USB input
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ATC CDA2
CDA2 – CD Pre-Amplifier
Overview
- All-discrete class-A pre-amplifier with balanced and unbalanced outputs.
- Two analogue inputs via RCA/phonon and one via 3.5mm mini-jack.
- High-performance CD Player.
- Premium AKM 32-bit DAC.
- USB digital input supporting up to 384kHz PCM data and native DSD256.*
- Headphone amp featuring discrete output stage.
- Handmade in England.
- 6-year warranty.**
*DSD256 support via PC only (up to DSD128 via Mac).
** TWO years on CD mechanism.
Looking for an all in one solution?- SIACD
LINE MAGNETIC LM-215CD
LM-215CD – CD Player – DAC PCM1792 – Output stage with 12AU7
The LM-215CD has both optical and coaxial digital outputs as well as an analogue stereo RCA output. The mechanical CD is original SANYO, the control card is on the other hand original Philips high-end. The DAC is based on a Texas Instrument Burr-Brown PCM1792 chip. The output stages use a 12AU7 tube as well as high-end OPA2604 operational amplifiers.
GLOBAL VIEW
DAC PCM1792
Output stage: 2x 12AU7
Finish: Silver
Chord ONE Choral CD Player
Choral CD Player
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An ELAC icon reborn.
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The Qutest digital to analogue convertor
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Smooth vinyl precision.
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ARCAM CDS50 CD/SACD Network Player
CDS50
Our most advanced cd, digital audio and network streaming player yet
In a sense, digital audio doesn’t exist. You’d have to be a particularly dull superhero to possess ears that can decode the millions of 1’s and 0’s that make up your CD collection or iTunes library. Whatever the source – be it a laptop, CD player, smartphone, USB stick – the result is just a vibration in your speakers. In other words, it all winds up analogue in the end.
Arguably, when playing from a digital format, the most vital component is the DAC, or Digital to Analogue Converter. We’ll spare you the bulk of the science, but this is what translates that otherwise lifeless binary code into audible sound energy. Bit-depth, meanwhile, is a key measure of audio quality.
So, if you’re listening to a 24-bit WAV copy of your favourite album through a DAC that only converts to 16-bit, there’s a good chunk of detail going to waste right there. That’s why we’ve included 32-bit DACs on the entire HDA range – the most commonly used bit-depth in digital recording – so you’re guaranteed the full aural picture of whatever the artist intended.